If we stop to think about it, there is something very important buried in the chronicle of stories written by Ronan Farrow in The New Yorker. It’s in the detail deep down in the stories. Ostensibly, what we tend to remember are the Israeli spies, open bathrobes and emanations into potted plants—the dramatic circumstances. People are tuned to enact and respond to that in other people and in the stories they read and watch. Spectacle is what great mythology and morality fables are about, we live for the soap opera.